Monday, December 12, 2016
ABUSE AND SURVIVAL
I wrote a recent post about children who kill and how most of the books in this category are actually works of non-fiction. The sad reality is; when dealing with a subject such as abuse and survival, the same thing is true. I found so many heart-wrenching (non-fiction) stories out there about children who were abused and had to learn how to survive. Interesting enough, some of those book topics actually end up overlapping; that is to say, some of those books about children who kill are also about children who were abused.
This is of special interest to me, having written a work of fiction about a child abuse victim who resorts to killing. Skipping Childhood: A Novel (From Abused Foster Child to Adolescent Serial Killer) has many of the very same elements that those non-fiction books have. The reason for this is because Skipping Childhood is a true story of survival, even though many elements of the novel is fiction. We have all discovered by now that it is not unusual to find truth in fiction, especially when it comes to survival stories.
In the publishing industry, when a book is based on a true story, presumably, the events that take place are true. My book has an overwhelming amount of content that is inspired by true events, which is not necessarily the same thing. While I never knew any 12 year-olds who killed anyone, I’ve known many, if not all of the characters in my book. I’ve known their lives and their struggles and their challenges, and many of them, I’ve experienced first-hand. So as an author, I’m able to write about abuse and survival with a sense of credibility, even if I use my imagination when writing about murder.
Difficult to Write and Read
Clearly, some topics are much more difficult to write and even to read. I came across two books yesterday that I wanted to mention. Both are based on true stories about child abuse and survival. No More Pain Kindle Edition is written by Paige Green. This is one that I purchased and plan to read. I’ll also be posting a review when I’m done.
The other book I came across is The Undoing: The uncertain nights of the Peterson children Kindle Edition by Gloria Watson. This one I won’t be reading, and I mean no disrespect to the author. One of the statements made in the book description is that this book is “not for the faint of heart”. That rules me out. I found it hard to even read the description of what both books were about, let alone to dive into something I know will be disturbing.
The reason I chose to buy No More Pain is because the author did a good job of making me feel saddened by the topic, but curious to see what happens. I know the content is delicate, but I don’t get put off in the way the author leads me to believe it will be presented. I think this is an important aspect when writing about child abuse and survival, whether you write fiction or non-fiction. I appreciate the candor and foresight Ms. Watson (author of the second book) showed. She gave us a warning about her book and certain readers need to recognize that her warning is for them (like me). This helps eliminate the chance of reading a book and giving it a poor review because your conscious was offended or it was too graphic to handle.
Writers who are not sensitive to this issue can find themselves being viewed in a questionable way. I came across one title about a sexually abused child, and the description almost read like one of the erotica books I’ve reviewed in the past. There should be no blurred lines when it comes to writing about sexual child abuse and writing about an adult sexual encounter. The language, tone, and everything else should be distinctively different. Failing to recognize this fact will put off a lot of readers, as well it should.
Less is More
The expression “less is more” has never been more fitting than in the above conversation. I think authors should apply it when writing the necessary scenes and dialogue in stories about abuse and survival (fiction or non-fiction). Readers who want to read and understand these types of tragic stories don’t necessarily feel the need for all the gritty details and language surrounding violent and sexual acts. I personally tried to keep this point in mind when I wrote Skipping Childhood. The topic is sensitive enough without adding all the shock value of horrific scenes and dialogue.
I welcome you to read Skipping Childhood: A Novel (From Abused Foster Child to Adolescent Serial Killer) and see what you think about this point.
CHILDREN WHO KILL
In my search to find other authors who write about children who kill, I’ve found that most authors who write on this topic seem to be more interested in writing non-fiction. As you can notice from some of the titles in the column, there were actually some pretty notorious children who kill. With modern day shootings like Columbine and more, there is no shortage of factual events for those who prefer research to imagination.
Authors who do chose to write from a fictional perspective have managed to do a really good job of scaring the crap out of readers, when it comes to the child character’s sinister behavior.
When I think of the sinister aspect of children who kill, I know my Deandra Baxter character pales in comparison. There is absolutely nothing sinister about her, in spite of the various deaths that she’s responsible for. I was beginning to worry that perhaps her character was a little too “normal”, until I saw an old Jodie Foster movie recently. The movie is called “The Little Girl Who Lives Down the Lane”.
This movie made me smile and feel good about my Skipping Childhood character again. “Rynn” (the little girl in the movie) is another very good point of reference I can use whenever I discuss the Deandra character. I’ve often referenced Rhoda Penmark (The Bad Seed), but I think Deandra is closer to being Rynn than she is to being Rhoda. Have you seen either of these movies (they were both adapted from books). You can do your own comparison. Why not purchase a copy of Skipping Childhood: A Novel (From Abused Foster Child to Adolescent Serial Killer) and see what you think.